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Painted Devils

Painted Devils

by Margaret Owen 2023 512 pages
4.2
8.6K ratings
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Plot Summary

Bridge of Lies

A desperate lie births miracles

Vanja, a clever and troubled girl, stumbles into the village of Hagendorn, drunk and destitute, and spins a lie about a vision to recover her lost rubies. The villagers, desperate for hope, believe her and soon a series of coincidences and minor tricks convince them a new god—the Scarlet Maiden—has blessed them. Vanja, craving belonging and redemption, becomes the accidental prophet of a cult she never meant to start. But the comfort of her new role is built on deception, and the seeds of chaos are sown.

Cults and Consequences

A lie becomes a movement

As Vanja's "miracles" multiply, Hagendorn transforms into a pilgrimage site, drawing crowds and fervor. Vanja tries to control the narrative, but the cult's faith grows beyond her grasp. When Emeric, her former lover and a prefect-in-training, arrives to investigate, Vanja's worlds collide. The Scarlet Maiden manifests—no longer just a story, but a terrifying, powerful entity demanding a sacrifice. The line between performance and reality blurs, and Vanja realizes her lie has awakened something truly dangerous.

The Scarlet Prophet

Faith, fraud, and fallout

Emeric's investigation, shadowed by his stern proctor Kirkling, puts Vanja's fate in jeopardy. The Scarlet Maiden claims Emeric as her chosen sacrifice, marking him with a bloody handprint. Vanja and Emeric, forced together by circumstance and old feelings, must navigate the cult's fanaticism, Kirkling's suspicion, and the Maiden's escalating demands. As the cult's grip tightens, Vanja's guilt and longing for acceptance war with her survival instincts.

Reunion and Reckoning

Old wounds, new truths

Vanja's reunion with Emeric is fraught with unresolved love and shame. Their intimacy is tested by the Scarlet Maiden's claim and the threat of sacrifice. Meanwhile, Vanja's search for a way out leads her to the Ros family—her own lost kin. The revelation that the brothers she must "sacrifice" are her blood shatters her, forcing her to confront her past, her worth, and the meaning of family. The web of lies, love, and legacy grows ever more tangled.

Blood and Brothers

A quest for redemption

To save Emeric from the Scarlet Maiden's ritual, Vanja must collect blood from her seven brothers. The journey is both physical and emotional, as she faces the pain of abandonment, the complexity of sibling bonds, and the cost of her own choices. Each brother's story adds a thread to the tapestry of Vanja's identity, and the act of gathering their blood becomes a reckoning with her own history and the power of kinship.

The False God's Claim

A god's hunger, a girl's guilt

The Scarlet Maiden's power grows as the cult's faith deepens, and her demands become more violent. Vanja and Emeric race against time, seeking loopholes and allies—witches, gods, and ghosts—to break the Maiden's hold. The truth emerges: the Scarlet Maiden is not a true god, but a vengeful spirit—Vanja's own mother, Marthe—feeding on the pain and belief of her children. The ritual is a trap, and the real sacrifice is yet to come.

The Hunt for Truth

Visions, bargains, and revelations

With the help of augurs, saints, and the Wild Hunt, Vanja uncovers the Scarlet Maiden's origins and the nature of her power. The journey takes her through haunted libraries, divine visions, and a race with gods. The truth is both liberating and devastating: the Maiden's anchor is Marthe's old lantern, and her power is rooted in the blood ties of the Ros family. To defeat her, Vanja must unravel the threads of legacy, love, and hate.

Binding and Betrayal

A plan to bind the past

Emeric and Vanja devise a ritual to use the blood ties not for sacrifice, but to imprison the Scarlet Maiden in her anchor. The siblings' support is hard-won, and the cost is high. As the cult's violence peaks and the Maiden's deadline looms, Vanja faces betrayal from within—Kirkling's machinations threaten to destroy her and Emeric's future. The tension between justice and mercy, law and love, comes to a head.

The Mother's Anchor

Confronting the ghost of Marthe

The final confrontation takes place at the heart of the Maiden's power. Vanja faces her mother's spirit, who is revealed as the true architect of the Scarlet Maiden's cruelty. The lantern, Marthe's anchor, becomes the battleground for Vanja's soul. The ritual to bind Marthe is a struggle of wills, memory, and forgiveness. Vanja must choose between her own happiness and the safety of those she loves.

The Price of Love

Sacrifice, choice, and heartbreak

To save Emeric and her family, Vanja is forced to make the ultimate sacrifice: letting go of her own happiness. She chooses to break the Scarlet Maiden's claim not through violence, but by severing the toxic ties of guilt and expectation. The cost is steep—Vanja must leave Emeric, believing it is the only way to free him from the ruin she brings. Love, in the end, is both the wound and the healing.

Homecoming and Healing

Family, forgiveness, and belonging

With the Scarlet Maiden defeated, Vanja returns to her family, seeking not absolution but acceptance. The Ros siblings, each marked by their own scars, welcome her as she is. The process of healing is slow and imperfect, but the bonds of blood and choice offer a new foundation. Vanja learns that home is not a place, but a web of relationships—messy, painful, and precious.

The Last Sacrifice

Letting go of the past

The aftermath of the ritual brings both relief and grief. Vanja mourns her mother, not as a monster, but as a woman broken by her own pain. The town of Hagendorn begins to rebuild, and the cult's remnants are dealt with. Vanja and Emeric, though separated, carry the memory of their love as a source of strength. The final sacrifice is not of blood, but of the lies that once defined them.

The Lantern's Secret

The power of names and memory

The truth of Marthe's lantern, the anchor of the Scarlet Maiden, is revealed as the key to breaking the cycle of pain. Vanja's journey is one of reclaiming her own story, choosing which threads to keep and which to cut. The act of naming—herself, her family, her wounds—becomes an act of power and liberation. The past cannot be changed, but it can be understood and, in time, forgiven.

The Red Maid's Legacy

Stories, scars, and survival

The legend of the Red Maid, like Vanja's own, is one of sorrow and endurance. The cycle of impossible demands, of never being enough, is broken not by heroism, but by honesty and love. Vanja's scars—physical and emotional—are no longer marks of shame, but of survival. The legacy she chooses is not her mother's ruin, but her own resilience.

Justice and Mending

A new kind of justice

The prefects' justice is an axe, but Vanja learns the world also needs a needle—someone to mend what is broken, to find the cracks and close them. Her journey is not toward perfection, but toward usefulness, kindness, and self-acceptance. Emeric's dream of justice and Vanja's talent for mending become two halves of a whole, each necessary for true healing.

The Choice and the Crown

Desire, fear, and freedom

The final test is not defeating a monster, but choosing to want, to hope, to love despite fear. Vanja and Emeric's love is not a fairy tale, but a hard-won truth. The crown at the bottom of the river is a symbol of impossible standards, of the pain of always reaching and never arriving. Vanja learns to let go of the need to be perfect, to be enough simply as herself.

Letting Go

Release and renewal

The story ends where it began: with a choice. Vanja lets go of the lies, the guilt, and the fear that have haunted her. She chooses to trust, to love, to belong—not because she is flawless, but because she is wanted. The threads of her life, once tangled and painful, are rewoven into something new. The past is not erased, but it no longer defines her.

A New Thread

A future of her own making

Vanja's journey is not over, but she steps into the future with hope. She is a thief, a liar, a daughter, a sister, a lover, and a mender. The world is still broken, but she is no longer alone. The story she tells is her own, and the thread she weaves is one of possibility, courage, and love.

Characters

Vanja Ros

Clever liar seeking belonging

Vanja is a survivor, a thief, and a master of deception, but beneath her bravado lies a desperate hunger for love and acceptance. Abandoned by her mother, raised by godmothers Death and Fortune, and scarred by years of abuse, Vanja's journey is one of self-discovery and healing. Her wit and resourcefulness are both her shield and her prison, as she struggles to believe she is worthy of happiness. Her relationships—with Emeric, her siblings, and her own past—are fraught with guilt, longing, and the fear of being a ruin to those she loves. Over the course of the story, Vanja learns to trust, to let herself be loved, and to choose her own future, not as a perfect heroine, but as a flawed, resilient human being.

Emeric Conrad

Earnest prefect torn by duty

Emeric is Vanja's lover and the youngest prefect-in-training in history, driven by a fierce sense of justice and a longing to right the wrongs of the world. His relationship with Vanja is both a source of strength and vulnerability, as he is forced to choose between his duty to the law and his love for her. Emeric's journey is one of learning the limits of justice, the necessity of mercy, and the courage to defy tradition for what is right. His steadfastness, intelligence, and compassion make him both Vanja's anchor and her equal, and his willingness to risk everything for her is both his greatest strength and his deepest fear.

Marthe Ros / The Scarlet Maiden

Vengeful mother turned false god

Marthe is Vanja's mother, whose bitterness and pain twist her into the Scarlet Maiden, a spirit feeding on the suffering and belief of her children. Her legacy is one of impossible demands, manipulation, and cruelty, but beneath her monstrous facade lies a woman broken by her own wounds. Marthe's relationship with Vanja is the heart of the story's conflict—a battle between love and hate, hope and despair. Her defeat is not just a victory over evil, but a reckoning with the generational pain that shapes families and destinies.

Helga Ros

Pragmatic sister, reluctant guide

Helga is one of Vanja's siblings, a hedgewitch and midwife who balances skepticism with fierce loyalty. She is both a source of practical wisdom and a mirror for Vanja's own struggles with trust and belonging. Helga's journey is one of learning to open her heart to the sister she thought lost, and to forgive both Vanja and herself for the wounds of the past.

Udo and Jakob Ros

Steadfast brothers, anchors of home

Udo and Jakob are Vanja's older brothers, shepherd and weaverwitch, who provide stability and acceptance. Their quiet strength and willingness to forgive are crucial to Vanja's healing. They represent the possibility of family as chosen, not just given, and their support is a foundation for Vanja's new life.

Ozkar Ros

Aloof brother, keeper of secrets

Ozkar is the most distant of Vanja's siblings, a warlock whose power comes at a cost. His cynicism and detachment mask a deep pain, and his interactions with Vanja force her to confront the darker aspects of her legacy. Ozkar's role is both adversarial and redemptive, challenging Vanja to claim her own worth.

Henrik Ros

Poet brother, seeker of self

Henrik, once Vanja's sister, is now her brother—a poet and friar who has found his own truth. His journey mirrors Vanja's in its search for identity and acceptance, and his rescue from the Wild Hunt is a turning point in the story. Henrik's presence affirms the power of chosen family and the courage to live authentically.

Ragne

Shape-shifting friend, loyal ally

Ragne is a half-god, half-beast companion who provides both comic relief and crucial support. Her ability to transform and her unwavering loyalty make her an invaluable ally in Vanja's quest. Ragne's perspective, both literal and metaphorical, helps Vanja see herself and her world in new ways.

Elske Kirkling

Haunted proctor, embodiment of law's limits

Kirkling is Emeric's proctor, a retired prefect driven by grief and a rigid sense of duty. Her antagonism toward Vanja is rooted in her own pain, and her actions force both Vanja and Emeric to confront the cost of justice without mercy. Kirkling's arc is a cautionary tale about the dangers of letting loss curdle into vengeance.

Lady Ambroszia / Saint Willehalm

Ghostly guides, keepers of memory

Lady Ambroszia and Saint Willehalm are spirits who aid Vanja and Emeric in their quest, offering wisdom, warnings, and the power of the past. Their roles as anchors—literal and figurative—underscore the story's themes of legacy, memory, and the necessity of letting go.

Plot Devices

The Accidental Cult

A lie becomes a living faith

Vanja's initial deception to recover her rubies spirals into the creation of a cult, illustrating how stories, belief, and desperation can conjure real power. The cult's growth is both a source of comfort and horror, as Vanja loses control and the Scarlet Maiden emerges. This device explores the dangers of unchecked faith, the seduction of authority, and the thin line between performance and reality.

Blood Ties and Sacrifice

Family as both curse and salvation

The ritual requiring the blood of seven brothers is a central plot device, forcing Vanja to confront her own history and the meaning of kinship. The act of gathering blood is both a quest and a reckoning, and the eventual use of those ties to bind, rather than destroy, the Scarlet Maiden subverts the trope of sacrifice. This device interrogates the power and pain of family, the possibility of breaking cycles, and the choice to heal rather than harm.

The False God and the Anchor

Haunting, possession, and the power of objects

The Scarlet Maiden's true nature as a vengeful ghost, anchored to Marthe's lantern, reframes the story's supernatural elements. The use of material anchors, blood magic, and possession weaves together themes of legacy, trauma, and the struggle to break free from the past. The final ritual is both a magical and emotional climax, binding the story's threads into a new pattern.

Narrative Structure and Foreshadowing

Braided timelines and mirrored motifs

The novel's structure—interweaving present action, flashbacks, and "Once upon a time" vignettes—mirrors the process of braiding, mending, and storytelling. Repeated motifs (the bridge, the lantern, the crown, the act of choosing) foreshadow the ultimate confrontation and resolution. The use of unreliable narration, memory manipulation, and shifting perspectives deepens the psychological complexity and emotional resonance.

Analysis

Painted Devils is a masterful exploration of the power of stories—those we tell others, those we inherit, and those we dare to rewrite. At its heart, the novel is about the struggle to break free from cycles of pain, shame, and impossible expectations. Vanja's journey from liar and outcast to mender and beloved is both a thrilling adventure and a profound meditation on trauma, family, and self-worth. The book interrogates the nature of justice, the limits of law, and the necessity of mercy, offering no easy answers but insisting on the possibility of healing. Through its inventive plot devices, rich character dynamics, and deft narrative structure, Painted Devils challenges readers to consider what it means to be enough, to be wanted, and to choose love in a world that so often demands sacrifice. The ultimate lesson is that true power lies not in perfection, but in the courage to mend, to trust, and to begin anew.

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Review Summary

4.2 out of 5
Average of 8.6K ratings from Goodreads and Amazon.

Painted Devils, the sequel to Little Thieves, follows Vanja as she accidentally starts a cult around a fabricated deity called the Scarlet Maiden, who manifests and demands Vanja's boyfriend Emeric as a virgin sacrifice. Reviews are mixed: many praise Owen's humor, the healthy depiction of teenage romance and consent, character growth, and emotional depth. However, critics note the plot feels secondary to relationship drama, the middle drags, writing becomes confusing with too many characters, and the cliffhanger ending frustrates readers by seemingly erasing character development. Most agree it's a solid middle book but doesn't match the first's standalone perfection.

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About the Author

Margaret Owen was born and raised in Oregon, where she spent her childhood at Powell's Books. After studying Japanese in college, she moved to Seattle, drawn by her love of espresso. Owen worked various jobs including thrift stores and presidential campaigns, learning lessons from each experience. She now writes full-time, wrestling characters onto pages while living with two cats she humorously describes as holding her hostage. Her writing style is known for sharp humor and emotional depth, making her a favorite among young adult fantasy readers.

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